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Home » Opinion » Why Camille Paglia’s ‘Nazi Barbie’ Takedown of Taylor Swift Is Spot-On

Why Camille Paglia’s ‘Nazi Barbie’ Takedown of Taylor Swift Is Spot-On

12/12/2015

By Lizzie Crocker published on The Daily Beast

The cultural critic Camille Paglia rightly skewered the clownish #girlsquad antics of Taylor Swift. There’s very little feminism in it.

Taylor Swift, progenitor of the celebrity #girlsquad movement, officially initiatedBlake Lively into her benevolent blonde power circle this week. Swift announced their friendship in an Instagram post of the two jumping mid-air in what appears to be an amusement park.

“Yesterday was such an amazing day off,” she wrote in the caption. “Roller coasters, kangaroos and LOLs with @blakelively.”

Yesterday was such an amazing day off– roller coasters, kangaroos and LOLs with @blakelively 🌷 See you tonight, Adelaide!

Una foto publicada por Taylor Swift (@taylorswift) el

The Internet rolled its eyes: Sure, Taylor Swift’s excessive earnestness and wrangling of celebrity sister-friends is charming, but is there no end to this parade of besties and #squadgoals and LOLs?

The eye-rollers are now rushing to Swift’s defense after Camille Paglia, the mordant cultural critic, hilariously skewered the pop star’s “obnoxious Nazi Barbie routine of wheeling out friends and celebrities as performance props” in a larger essay criticizing the girl squad craze. (“‘Squad’ as a pop term…once had a hard, combative street edge, but today it’s gone girly and a bit bourgeois,” Paglia wrote in The Hollywood Reporter.)

Paglia argued that Swift and other women in the entertainment business who are “at the mercy of swarming, intrusive paparazzi culture” could benefit from feminist solidarity, though they won’t find it in “the narrow gender factionalism that thrives on grievance.” She cited a pap shot of Swift in 2013, post break-up with Harry Styles, as a “dramatic example of their vulnerability.

She went on: “Given the professional stakes, girl squads must not slide into a cozy, cliquish retreat from romantic fiascoes or communication problems with men, whom feminist rhetoric too often rashly stereotypes as oafish pigs…In our wide-open modern era of independent careers, girl squads can help women advance if they avoid presenting a silly regressive public image—as in the tittering, tongues-out mugging of Swift’s bear-hugging posse.”

The “Nazi Barbie routine” barb aimed at Swift may seem harsh, but Paglia’s shrewd critique is entirely valid. For all of Swift’s talk about girl power, there’s very little feminist substance to the #girlsquad movement on social media.

Rather, it’s cutesie, hashtag activism. Whether Swift develops a lasting, meaningful friendship with Lively—as she’s seemingly done with Karlie Kloss, Lena Dunham, Gwyneth Paltrow, and many others—the image of sisterhood she’s projecting is more popular girl with her posse than genuine female solidarity.

Paglia has previously criticized other pop stars’ use of props, like the “cutesy toys” in Miley Cyrus’s infamous VMA performance several years ago: “Intended to satirize her Disney past, it signaled instead the childishness of Cyrus’ notion of sexuality, which has become simply a cartoonish gimmick to disguise a lack of professional focus.”

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